{"title":"Select Art History","description":"","products":[{"product_id":"jasper-johns-pictures-within-pictures-1980-2015","title":"Jasper Johns: Pictures Within Pictures 1980-2015","description":"In the late 1970s, after the artist’s explosive Pop Art beginnings and a period of abstraction, representational objects made their way back into Whitney Collection artist, Jasper Johns’ work. Supported by the artist’s words and previous scholarship, Jasper Johns is the first comprehensive study of his later paintings and works on paper. \u003cbr\u003e\u003cbr\u003e\r\n\r\nFiona Donovan helps contextualize images that have personal significance for Johns and explain a broader humanist discourse. Readers learn of his absorption with the appropriation and abstraction of images taken from Cézanne, Grünewald, Picasso, and others, and discover the inspiration Johns finds in his immediate surroundings. Progressing through several key phases and turning points in the artist’s career, Donovan brings to light not only this subtext of inspirations and influences but also Johns’ circle of contemporaries, collaborators, and personal perceptions and obsessions. 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Striking photography of art, creative spaces, materials, and the subjects themselves is paired with intimate interviews that engage with each artist and influencer, delving into their creative process and unpacking how each subject actively works to create a more radically inclusive world across the entire art ecosystem. 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Brought together by the urgent need to center Black trans and queer lives within the Black Lives Matter movement, a vibrant and radical community emerged. Over the following year, the Stonewall Protests brought together thousands of people across communities and social movements to gather in solidarity, resistance, and communion. Each Thursday was an invitation for protests, healing, and celebration—whether through marches, voguing balls, or vigil—and a living testament to love in revolution. This book gathers twenty-four photographers who participated in these actions to share images and words on the demonstrations and their community at large, preserving this legacy as it unfolded. 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The authors argue that despite the late-nineteenth-century definition and legal codification of the “homosexual,” in reality, questions of sexuality always remained fluid and continually redefined by artists concerned with the act of portrayal. In particular, gay and lesbian artists—of but not fully in the society they portrayed—occupied a position of influential marginality, from which vantage point they crafted innovative and revolutionary ways of painting portraits. 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This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.","brand":"1706","offers":[{"title":"Default Title","offer_id":49949451649314,"sku":"1012676","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0765\/1675\/3698\/files\/1012676.jpg?v=1747856420"},{"product_id":"we-were-here-sexuality-photography-and-cultural-difference","title":"We Were Here: Sexuality, Photography, and Cultural Difference","description":"\u003ci\u003eWe Were Here: Sexuality, Photography, and Cultural Difference\u003c\/i\u003e offers an unparalleled firsthand account of the influential photographer and curator Sunil Gupta’s writing and critical inquiry since the 1970s. Newspaper articles, speeches, and essays show Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. 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Documenting five decades of visual practice from 1982 to the present, the book features contributions from scholars, artists, and cultural workers, and includes numerous images of the artist and his work that are not widely available. Contributions include essays from cultural critics including Guy Trebay and Greg Tate; artists Coco Fusco and Glenn Ligon; and scholars such as Robert Farris Thompson, Alex Alberro, and Manthia Diawara.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nA star of the West Coast Black Arts Movement in the 1960s and the winner of a Prix de Rome prize as well as a MacArthur Fellowship, David Hammons rose to fame in Los Angeles with his body prints, in which he used his entire body as a printing plate. His later work engaged with materials that he found in urban environments—from greasy brown paper bags, discarded hair from barber shops, and empty bottles of cheap wine—which he turned into things of wonder while also commenting on a country's neglect of its citizens. In this volume, a new generation of scholars, Tobias Wofford, Abbe Schriber, and Sampada Aranke, broaden the theoretical mapping of Hammons's career and its impact, challenging viewers to imagine, in the words of Aranke, “how to see like Hammons.”","brand":"126","offers":[{"title":"Default Title","offer_id":50073475481890,"sku":"1016715","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0765\/1675\/3698\/files\/1016715.jpg?v=1751473812"},{"product_id":"american-modern-hopper-to-okeeffe","title":"American Modern: Hopper to O'Keeffe","description":"\u003ci\u003eAmerican Modern\u003c\/i\u003e presents a fresh look at The Museum of Modern Art’s holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the twentieth century. Organized thematically and featuring paintings, drawings, prints, photographs and sculpture, the publication brings together some of the Museum’s most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O’Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis includes urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are shown eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern forms and technological advances, as in Sheeler’s paintings and photographs, and a reflection of anxiety about increasingly urban lifestyles and their consequences for the American individual, as in Hopper’s iconic “Night Windows.” Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Featured still lifes are as diverse: Stuart Davis’ bright, angular compositions marry fractured form with logos and patterns taken from modern advertising, while Charles Demuth’s rich watercolors of fruits and vegetables celebrate agricultural bounty and his mastery of the medium. Works by Arthur Dove, Alfred Stieglitz and Andrew Wyeth, among others, suggest different possibilities in portraiture, and the diverse ways artists have thought about the figure and its absence as a way to capture their subject. This volume is a focused look at the strengths and surprises of MoMA’s collection in an area that has played a rich and major role in the institution’s history.","brand":"1706","offers":[{"title":"Default Title","offer_id":50109903765794,"sku":"1007101","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0765\/1675\/3698\/files\/1007101.jpg?v=1752174147"},{"product_id":"focal-points-jasper-johns","title":"Focal Points: Jasper Johns","description":"The Focal Points series collects essays, articles and reviews by acclaimed curator and critic Robert Storr (born 1949). 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From the start of his career, he has maintained a rich library of notebooks, drawings, paintings, Polaroids, props, puppets, sets and costumes from his films. Presented here, these objects are enhanced and illuminated by Anderson's long-time collaborators, including actors Owen Wilson, Jason Schwartzman, Scarlett Johansson and Tilda Swinton; composer Alexandre Desplat; musician Seu Jorge; and music supervisor Randall Poster. The book also features an extensive interview with Anderson himself, reflecting on his films and working process.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\n\u003ci\u003eWes Anderson: The Archives\u003c\/i\u003e accompanies the first retrospective exhibition of Anderson's work, curated by La Cinémathèque française in Paris and the Design Museum in London. 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